fake diamonds
¨jewels are my illnes and my cure¨ Daniela Boieri
fake diamonds
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Beautiful Beast designed by Martín Azúa and made by the jeweller Roc Majoral.

 When I was a child I observed with placid terror how spiders manipulated their prey. A ritual as relentless as refined that i have tried to reproduce in a piece of jewelry. Normally jewels are kind objects, but in this case they have a different role; it is something dangerous to be handled with great care. It is a golden spider with 8 very sharp flexible legs. A temporal piercing which incorporates pain as an unavoidable aspect of the jewel. The process of fastening is almost surgical, the skin is disinfected, it is applied and it is removed with a small mechanical artefact. The process is not free of danger and pain. Beauty hurts and requires an act of bravery and submission. The jewel possesses and controls you as the spider with its prey.
Repulsion and fascination, the insects have exercised a strange fascination in the jewellers of all the epochs.
Beautiful Beast designed by Martín Azúa and made by the jeweller Roc Majoral.

 When I was a child I observed with placid terror how spiders manipulated their prey. A ritual as relentless as refined that i have tried to reproduce in a piece of jewelry. Normally jewels are kind objects, but in this case they have a different role; it is something dangerous to be handled with great care. It is a golden spider with 8 very sharp flexible legs. A temporal piercing which incorporates pain as an unavoidable aspect of the jewel. The process of fastening is almost surgical, the skin is disinfected, it is applied and it is removed with a small mechanical artefact. The process is not free of danger and pain. Beauty hurts and requires an act of bravery and submission. The jewel possesses and controls you as the spider with its prey.
Repulsion and fascination, the insects have exercised a strange fascination in the jewellers of all the epochs.
Beautiful Beast designed by Martín Azúa and made by the jeweller Roc Majoral.

 When I was a child I observed with placid terror how spiders manipulated their prey. A ritual as relentless as refined that i have tried to reproduce in a piece of jewelry. Normally jewels are kind objects, but in this case they have a different role; it is something dangerous to be handled with great care. It is a golden spider with 8 very sharp flexible legs. A temporal piercing which incorporates pain as an unavoidable aspect of the jewel. The process of fastening is almost surgical, the skin is disinfected, it is applied and it is removed with a small mechanical artefact. The process is not free of danger and pain. Beauty hurts and requires an act of bravery and submission. The jewel possesses and controls you as the spider with its prey.
Repulsion and fascination, the insects have exercised a strange fascination in the jewellers of all the epochs.
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Nostril - for Barbara Seidenaht´s Nose - by Gerd Rothman
Gold 
1985

"An unconventional dialogue with the human body"
Since he began designing jewelry over 40 years ago, goldsmith Gerd Rothman has incorporated cast part of the human body into his practice. His tactile pieces are custom-made and individualised to an hyper-specific part of his client´s body.

 
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Necklace by Sonobe Etsuko 
18 k gold and pearls 
2002
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Necklace by Fritz Mahierhofer
Aluminiun, anodized in green.
2011
Necklace by Fritz Mahierhofer
Aluminiun, anodized in green.
2011
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Sugar necklace by Liesbet Bussche
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Ear cuffs by Aoki Yuri
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Fold
Bracelets by Emmy Van Leersum
Stainless steel 
1968
Fold
Bracelets by Emmy Van Leersum
Stainless steel 
1968
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"This was 2007" by Silke Fleischer
The entire inventory of standarized everyday objects that inspire me are displayed: an open book.
The significance of this passion of objects types is exploring what is around me and effect me. The jewellery piece appears to celebrate these object as a materialisation of pure form. It feels like creating a new reality, a scene, that becomes a medium for human contemplation, presiding to show us something: Yourself in your world.

"…ordinary objects of daily life appear to interest him fist and foremost as exemplification of this theory of simple bodies that tigger off universal sensations. …These objects were now chosen merely for reasons of plasticity. They server as illustrations of another point of view… : The theory of figurative associations in art. "
Le Corbusier Elements of Synthesis - Objects types to objects á réaction poétique
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S.O.L. by Ariane Ernst
Stainless steel gold-plated
2013

s.o.l. is the shortcut for “symbols of life” and stands for the route of life. in general, life does not run smoothly. Depending on how you live your own life and which decisions you make it does not turn out like first imagined, each individual is different, some have the tendency to embark impulsively to something new and enjoy life to the fullest, others again don‘t like to look left or right because they enjoy their life‘s like it is and might be afraid of changes or you are the type of person who experiences always the same things and happened to spin in circles. the issue is now: in which of the 16 forms do you retrieve your own way of life? 
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